It’s a non-fiction documentary. The director said that he intended to film this movie for the first time. The Indonesian farmers tried to film this fact because they were dealing with powerful herbicides with their bare hands and were dying because they were under 40 years old. So I went to Indonesia and took pictures of them, and I feel this strange absurdity in this society. I wanted to know what it was like to travel all over Indonesia, and then the Indonesian paramilitary organization blocked the film production. In the process, the director found out that there was a massacre in Indonesia half a century ago and the film created by commissioning a filmmaker to lead the killing. The old man who was the main character of the massacre was proud of the history of the massacre. So, he was very excited to accept the proposal as a movie. He said that he would include some facts without any doubt then explained how people died in a casual way. The old man was a gangster. The gangster became a paramilitary organization today in Indonesia. In the past, Indonesia was also at the crossroads of capitalism, communism, and alternative. Perhaps the vested interests were capitalism. They used gangsters to kill 2.5 million people in a year. Gangsters claim that the root of ‘gangsters’ is ‘free man.’ and thought it was patriotism to take away the Communist Party, which is the people who adore freedom and obstructs freedom. At the time, Indonesian gangsters were earning money through Hollywood movies. The Communist Party said that they should reject American films, but I think they just cut their profits.
It was hypocrites who freed themselves. The old man said he learned ‘how to murder’ in an American gangster movie. It is a great metaphor. Creatures from the country of capitalism are involved in human life. Gangsters would have appeared cool in the country of freedom, so they were seen as ‘free men’? The Indonesian society seen in the movie was very uncivilized. The power of capital flourished, but the contents were impossible perfection. They talk about intimidation, public broadcasting broadcasts stories about genocide like a heroic story, supports the genocide convention, and justice justifies their massacre by the winners. They did not have the words to express except the word “uncivilized.” It was a disgust itself.
The more the film produced, the old man became more strange. When he saw the reproductions of the massacre in the eyes of the third person, he realized that it was incredibly violent. So he began to have a nightmare and even feared that he was guilty of sin. Nevertheless, he gave the medal to the dead in the surreal scene of the film and put the line of “Thank you for killing me to go to heaven.” No such absurd rationalization could be read in any fiction.
To make history, we know that countless people have been sacrificed. The reason for the massacre in that history was inevitable because people applied for the “making history” role by themselves.
The flow of history is similar. The old man in the movie made himself a role of ‘free man,’ so he was able to avoid the terrible slaughter. When I first saw the work, I thought the people behind the frame were simply victims. But now I believe that there are some perpetrators behind wherever.
Finally, we reminded the plainness of evil. The old man in the movie is a man who loves grandchildren and is full of joy. Nevertheless, he was proud of the massacre. Then, after seeing the killings with the eyes of the third person, and acting the victims, he realizes how evil my actions were. In the end, it is not usually easy to say that we often say ‘live well.’ It is simply not enough to do well to the people you like and do what you need to do. Through self-objectification, we must always react sensitively to the absurdity of human beings. And you should not put on your part. We give too much of a role in our daily lives. ‘I have been in charge of this role, so it is natural and reasonable to do this!’ We should not forget that we also found this kind of role in fiction. Perhaps goodness may be the perfect self.

